Extra Insight

I watched a BBC4 documentary this morning "Who is Kurt Wallander", a slightly misleading title as it was more about the Sweden that provides the context for the detective. Very interesting background on the social state ideal that has crumbled and now has the same problems as the rest of Europe.

Then the Sunday Times television critic A A Gill (the Marmite of critics, but I'm very much in the love camp even if I don't always agree with him) writes today about the death of the television detective in relation to Wallander. His theory is that the detective characters are still great but are let down by the plots (the article can be read here).

I think he has a made a good point. Many current shows rely on smoke and mirrors, tricks and quirks to distract from the slightness of the plot. The ante is upped on the levels of gore, nastiness or science to compensate. Perhaps we've seen it all before.

But does that matter so much? My favourite thing about Morse was not the crimes or their resolution, but the character of Morse and his relationship with Lewis. The plot is largely secondary to that. In the Rebus novels (particuarly the early ones), I was frequently disappointed with the whodunnit element, as I was with the Henning Mankell book I read, "Return of the Dancing Master", but enjoyed the characters. If the characters are strong enough I think the detective can survive.

So I will continue to watch the detectives even if all of the good plots have already been used. Although, of course, I do have a higher tolerance and intake of detectives than the average person.